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Contact:

April Centrone 
Center for Arabic Culture 
info@cacboston.org 
631.520.1755 

When

Saturday September 18, 2010 at 2:00 PM 
to
Sunday December 5, 2010 at 6:00 PM 

Add to my calendar 

Where

Arts at the Armory 
191 Highland Avenue
Somerville, MA 02143
 
The Armory is accessible by T and car.  Free parking available on site.  More information here.
 
Driving Directions 

Music Workshops with Master Instructor Bassam Saba 

Music Workshops with Master Instructor Bassam Saba are now back!

Our plan is to offer a uniquely authentic instruction in the theoretical and practical approach to Arabic music to the many eager music students and classically trained musicians. The group of participants will become a living, breathing, growing body, bonding around the common love they share for Arabic music, realizing the dream of performing within an ensemble..

Music Workshop Dates:
1. Sept 18-19
2. Oct 30-31
3. Nov 6-7
4. Dec 4-5

*This is a program, however it is not a problem if you cannot achieve full attendance.

Tuition
$150 per workshop, or $550 for full program (commitment to all four dates)
$200 per workshop w/ 40-min private lesson, or $750 for full program (commitment to all four dates)
$225 per workshop w/ 60-min private lesson, or $850 for full program (commitment to all four dates)

Payments
By credit card:
Please register using the link below.
By check: Make payment to "The Arabic Orchestra" and mail it to: P.O. Box 236, Northport, NY 11768

Location
Arts at the Armony. 191 Highland Ave, Somerville, MA.

Schedule*
Saturday

2pm-8pm lessons

Sunday
(11am spot for lesson)
12:00-12:45pm - Rhythm / Percussion Techniques
12:45-1:30pm - Ear training & Solfage
1:30-2:15pm - Taqasim Section 1
2:15-2:30pm - [Break]
2:30-3:15pm - Taqasim Section 2
3:15-4:00pm - [Break]
4:00-6:00pm - Ensemble / Ornamentation

* This schedule may change from workshop to workshop.  Participants will be given sufficient notice.

About Bassam Saba
Bassam Saba is one of the nation's leading figures of Arabic music. Saba is a world-renowned nay virtuoso and multi-instrumentalist, performing on oud, violin, buzuq, saz and western classical flute. He has worked extensively with the biggest stars of the world: Fairouz (the diva of Lebanon) Marcel Khalife, Ziad Rahbani, Simon Shaheen, Wadi El-Safi, Paul Simon, Alicia Keys, Sting, Santana, Yo-Yo Ma and Herbie Hancock. Saba directs the prestigious 30-member New York Arabic Orchestra, which has enjoyed sold-out performances in some of New York’s greatest venues since its inception in 2007. The NYAO’s trademark lies in the performance of Saba’s original compositions and fine-tuned traditional works, and and in bringing Arabic music education into the NY public school system and universities across the country. As one of the most sought-after teachers of Arabic music, Saba has led numerous Arabic workshops, lectures, orchestras and ensembles worldwide.

To learn more about Bassam Saba please visit the following sites:

www.newyorkarabicorchestra.org
www.bassamsaba.com
Facebook: Bassam Saba
Facebook: The New York Arabic Orchestra


Course Descriptions

Maqam – Learn maqamaat (Arabic modes) through the practice of solfage (singing). Each semester will focus on the full embodiment of a particular Muwashshah.  

Rhythm – Study the essential iqa’at (rhythms) of Arabic music through the learning of the frame drum, ideal for the vocalist and melodic instrumentalist who wish to improve his or her rhythm; better understand Arabic ornamentation; and learn the art of accompanying a percussionist. Participants will eventually pair up as duets with percussion, prepare a piece at home, and perform together in front of the class for the final workshop of the semester.

Improvisation – The complex art of taqasim (improvisation) simplified through the rare study of pre-notated melodies composed by Bassam Saba, fine-tuned patchworks that lead students effortlessly to the appropriate destinations and modulations within a maqam, while offering multiple options for direction and growth.

Ensemble – Participants learn repertoire together as an ensemble, tying in the many teachings and practices of the program, namely maqam, ornamentation, rhythm and improvisation. Participants will enjoy the rare experience of these monthly sessions to fine-tune each piece as an ensemble, and will have the opportunity to perform at the conclusion of the semester. The continuity of the program promotes participants to practice together as an ensemble and prepare for each workshop throughout the semester.